السينوغرافيا في تقنية كتابة النص المسرحي

Abstract

قسم البحث إلى أربعة فصول، تضمن الفصل الأول مشكلة البحث التي صيغت بالسؤال التالي: كيف تشتغل سينوغرافيا في تقنية كتابة النص المسرحي؟ وتجلت أهميته بوصفه يتطرق إلى السينوغرافيا في تركيب النص المسرحي. أما الهدف فقد كان الكشف عن: الصيغ الأسلوبية في تقنية سينوغرافيا النص المسرحي. The research was divided into four chapters. The first chapter included the research problem that was formulated in the following question: How does scenography work in the technique of writing theatrical text? Its importance was manifested as dealing with scenography in the installation of theatrical text. The goal was to reveal: stylistic formulas in theatrical text scenography technique. The second chapter (theoretical framework) was designed with two sections: 1- The verbal system: the dialogue debate, the side dialogue, and the internal dialogue were discussed. 2- Instructions system: The text threshold, text form, scene and time, musical and sound effects, movement, silence, costumes, makeup and mask were indicated. Previous studies were reviewed, and the essential difference was identified, given that the current research deals with theatrical text - the author's text - while all studies paired the scenography with theatrical performance. In the third chapter, an Iraqi text was analyzed: Who are the flowers for? In the fourth chapter, the results were discussed and a number of conclusions were drawn, the most important of which are: 1- The technique of writing theatrical text combines the two layers of the text: the verbal and indicative system together, and reinforces one another. 2- The absent scenography in the theatrical text formed a presence in the construction of the event and the movement of heroes, and it is an extension of the perceived scenography within the established instructions. The research concluded with a list of sources and references.